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Und sonst so? : 13. 02. 2013


Foto: Evol

* “Mit New Nations koennen neue Top-Level-Domains für Gemeinschaften und Kulturen erstellt werden, die im bestehenden Datennetz noch ueber keine Präsenz verfügen und sich nun mit .ti (Tibeter), .ku (Kurden), .uu (Uiguren) oder .te (Tamilen) eigene Kommunikations- und Präsentationsstrukturen und -kulturen formieren können.” Via

* Samen teilen: “Seed-sharing is an ancient practice throughout the world. It is currently under threat by big industrial seed corporations (e.g. Monsanto). They want to patent seeds and prevent us from sharing them so we will always be forced to buy from them. Seed sharing is crucial to our freedom, autonomy from capitalism and crucial for our collective survival.” Via

* Die größte kollektive, unzensierte Zeichnung im Netz: “Superfreedraw“. “No registration, no censorship. superfreedraw has been established to support the idea of a free and uncensored internet accessible by everyone all over the world. The established elite art system sucks. Everybody is an artist! This is the biggest collaborative artwork ever made.”

* Hexen 2.0 von Suzanne Treister: “HEXEN 2.0 looks into histories of scientific research behind government programmes of mass control, investigating parallel histories of countercultural and grass roots movements. HEXEN 2.0 charts, within a framework of post-WWII U.S. governmental and military imperatives, the coming together of scientific and social sciences through the development of cybernetics, the history of the internet, the rise of Web 2.0 and increased intelligence gathering, and implications for the future of new systems of societal manipulation towards a control society.” Via: Laurence, merci!

* Graffiti in Filmen: “Graffiti Fiction” von Mathieu Tremblin & David Renault. “We are glad to announce you the birth of an archive about graffiti in fictionnal movies and series. We starded years ago to gather filmstills from movies we liked where graffiti appear. We focused on graffiti which were created especially for the movie and which were having a narrative function in the story – as a point or as an echo of it. We made a selection of some and published them on a Tumblr in waiting to make a finest analysis and typology of those. First presented and commented briefly during our lecture at “Graffiti as psychogeographical map: the new European urban intervention” seminary in UMIP, Santander (ES) during summer 2011 under invitation of Javier Abarca, we are planning to present this corpus with comments as a lecture and as an artist book in the future.”

* Kunstgeschichte in japanischen Emoticons: #Emojiarthistory. Via

* Kunstgeschichte als Twitter-Reply: “NonPrintingCharacter“.

* Gif-Serie “Disasters of War” von General Howe. Via

* Buchtipp I: “Evil Media” von Matthew Fuller & Andrew Goffey. “Evil Media develops a philosophy of media power that extends the concept of media beyond its tried and trusted use in the games of meaning, symbolism, and truth. It addresses the gray zones in which media exist as corporate work systems, algorithms and data structures, twenty-first century self-improvement manuals, and pharmaceutical techniques. Evil Media invites the reader to explore and understand the abstract infrastructure of the present day. From search engines to flirting strategies, from the value of institutional stupidity to the malicious minutiae of databases, this book shows how the devil is in the details.” Via

* Buchtipp II: “Bad Graffiti” von Scott Hocking. “Bad Graffiti looks at the plethora of graffiti that adorns our cities at a ubiquitous, popular cultural level. It is a record of the graffiti of the everyday, not of the named ‘artists’ who have contributed to the many books on graffiti ‘art’ over the past ten years or so.” Via

* Buchtipp III: “Virality” von Tony D. Sampson. “In this thought-provoking work, Tony D. Sampson presents a contagion theory fit for the age of networks. Unlike memes and microbial contagions, Virality does not limit itself to biological analogies and medical metaphors. It instead points toward a theory of contagious assemblages, events, and affects. For Sampson, contagion is not necessarily a positive or negative force of encounter; it is the way society comes together and relates.” Via

* Buchtipp IV: Nach dem Tumblr jetzt das Buch. “Kim Jong Il Looking at Things” von João Rocha et Marco Bohr. Und es geht natürlich weiter: Kim Jong Un Looking At Things. Via

* Apropos Bücher: Hier ist der Google Books Downloader.

David Renault & Mathieu Tremblin: “Lacanerie (Tribute to Jacques Lacan)”

David Renault & Mathieu Tremblin waren in der Psychiatrie in Rennes – und haben dort eine neue Arbeit geschaffen, die Lacan zitiert. “1955 kaufte der Psychoanalytiker Jacques Lacan das Skandal-Bild “L´Origine du monde“. Er und seine Frau, die Schauspielerin Sylvia Bataille, hängten es in ihrem Landhaus in Guitrancourt auf. Aber auch dort wurde es den Blicken der Öffentlichkeit entzogen: Lacan bat seinen Stiefbruder André Masson, ihm einen verschiebbaren Doppelrahmen dafür zu bauen, der vorn ein anderes Gemälde zeigen würde. Masson malte daraufhin eine Landschaft, die exakt der Linienführung des Originals folgte.” Via: Mail

Update: Les Frères Ripoulain

Update: “Dancing Trash Bag” (Mathieu Tremblin) und “Wild Street Marketing” (David Renault, Mathieu Tremblin) alias Les Frères Ripoulain.

Update: Les Frères Ripoulain


Mathieu Tremblin als “Graffiti-Statue”: “Dépêchez-vous, je dois finir avant que la police arrive (Hurry up I have to finish before cops arrive)”, 2012, Quimper


Und David Renault als Luftablasser: “Dernier Souffle (Last Breath)”, 2012, Quimper

Neue Arbeiten von den Brüdern Ripoulain aka Mathieu Tremblin & David Renault – entstanden während der Künstlerresidenz “1+1=1 1+1=2″ von Art4Context in Quimper. Via: Mail

Update: Les Frères Ripoulain

Neues von den Gebrüdern Ripoulain: Mathieu Tremblin gräbt Weihnachtsbäume ein (“Christmas Cutting #1, #2, #3″) und David Renault sucht die Party (“C’est où la teuf? / Where is the freeparty?”). Via: Mail

Update: David Renault


“Bottleneck”, 2011


“Object”, 2011

Neue “Audio-Graffiti”-Projekte von David Renault.

Update: David Renault & Mathieu Tremblin


“Truck”, David Renault, Mathieu Tremblin, 2011, Montrouge (FR). Performance. Painting truck, wheels, string, acrylic paint. 30 min.


“Vol”, David Renault, 2011. Installation. Stolen car sign, pegs. 1,5 x 0,2 m (geklautes Volvo-Logo; “Vol” bedeutet auf franz. Diebstahl)


“Christmas Cutting”, Mathieu Tremblin, 2011, Arles

Neue Arbeiten und eine Ausstellung von www.signalfantome.eu“>David Renault & Mathieu Tremblin alias Les Freres Ripoulain: “We are pleased to inform you of our participation to the 56th Salon d’art contemporain de Montrouge which is curated by Stéphane Corréard. The opening is Wednesday, May 4 at 19 pm and the salon is open from May 5 to June 1, 2011. On this occasion, we present a selection of stocks and recent works, solo and duo.” Via: Mail

David Renault + Mathieu Tremblin: “Outsiders” – Teil II


David Renault & Mathieu Tremblin: “Human Hall of Fame”, 2010


David Renault & Mathieu Tremblin: “Taquin”


Mathieu Tremblin: “Sous scellé”


Mathieu Tremblin: “Le système pyramidal du graffiti”


Mathieu Tremblin: “Tempête de neige”


Mathieu Tremblin: “Un coup de pouce aux RG”

Noch mehr Projekte von David Renault und Mathieu Tremblin alias Les Freres Ripoulain – aktuell zu sehen in der Ausstellung “Outsiders” in Rennes. Mehr auch hier, hier und hier. Via: Mail, thx!

David Renault + Mathieu Tremblin: “Outsiders”


David Renault: “Outrage en drapeau”, 2010


David Renault: “Empty Signs”, 2010


David Renault: “Noise”, 2009


David Renault: “Burning Ink”, 2008

Schönes Duo Infernale: Noch bis zum 24.12 gibt es im “Centre Culturel Colombier” in Rennes, Frankreich, eine gemeinsame Ausstellung. Das ganze Portfolio von David Renault gibt’s hier – und die Arbeiten von Mathieu Tremblin hatte ich hier schon einmal vorgestellt. Via: Mail, danke!